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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
From his pioneering studies of the Objectivist poets and of uncertainty and representation in modernist and contemporary thought, Michael Heller has been seeking to expand the terms of how we read and discuss poetry. In these recent writings, at once revelatory and precise, Heller deepens the exploration, articulating a sense of poetic language’s inscription and trace, often with respect to aspects of Judaic thought and Buddhist influences, the poetics of Walter Benjamin, Heidegger, the Objectivists, Oppen and Reznikoff, H.D., Robert Duncan, and other twentieth century writers and thinkers. As Xavier Kalck writes in his Foreword to this collection, Heller’s concern is with the sacred as a function of language and as an objective in his poetics.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
From his pioneering studies of the Objectivist poets and of uncertainty and representation in modernist and contemporary thought, Michael Heller has been seeking to expand the terms of how we read and discuss poetry. In these recent writings, at once revelatory and precise, Heller deepens the exploration, articulating a sense of poetic language’s inscription and trace, often with respect to aspects of Judaic thought and Buddhist influences, the poetics of Walter Benjamin, Heidegger, the Objectivists, Oppen and Reznikoff, H.D., Robert Duncan, and other twentieth century writers and thinkers. As Xavier Kalck writes in his Foreword to this collection, Heller’s concern is with the sacred as a function of language and as an objective in his poetics.