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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Pound once observed ‘that music begins to atrophy when it gets too far from the dance, that poetry begins to atrophy when it gets too far from music.’ In A Suite of Dances, Mark Weiss brings poetry and the dance back together in intricate, delightful measures. The rhythms and tone of these sly, sinuous poems jolt the reader awake with unexpected, offbeat aphorisms, jokes, and moves of improvisatory nimbleness and agile grace that always stick the landing.
[…]
Pulsing with wit, bravado, vulgarity, pathos, whimsy, and replete with that rarest of pleasures in contemporary poetry: the sheer surge of song, these poems ripple with a music that moves freely through the range of English lyric. The bass note of melancholy anchors them in a tradition of reflective loss and revival that is, finally, reaffirming, since, as Williams put it, ‘we know nothing and can know nothing/but/the dance.’
-Patrick Pritchett
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Pound once observed ‘that music begins to atrophy when it gets too far from the dance, that poetry begins to atrophy when it gets too far from music.’ In A Suite of Dances, Mark Weiss brings poetry and the dance back together in intricate, delightful measures. The rhythms and tone of these sly, sinuous poems jolt the reader awake with unexpected, offbeat aphorisms, jokes, and moves of improvisatory nimbleness and agile grace that always stick the landing.
[…]
Pulsing with wit, bravado, vulgarity, pathos, whimsy, and replete with that rarest of pleasures in contemporary poetry: the sheer surge of song, these poems ripple with a music that moves freely through the range of English lyric. The bass note of melancholy anchors them in a tradition of reflective loss and revival that is, finally, reaffirming, since, as Williams put it, ‘we know nothing and can know nothing/but/the dance.’
-Patrick Pritchett