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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Maldon is a version of the Anglo-Saxon epic fragment usually known as The Battle of Maldon, which tells the tale of a battle between the Anglo-Saxons and the invading Vikings which took place ca. 991 AD on the shores of the River Blackwater, almost certainly opposite Northey Island.
Smith’s version [of Maldon] preserves nicely a ghost of the alliterative pattern that rumbles through the original, without trying to reproduce it fully in a clog-dance of consonants. It is recognisably the same poem as the original: it has its linguistic density and compelling narrative pull, but it is free from the mildewed quaintness that sometimes hangs around translation from Old English.
-Dr. Alex Davis, U.C. Cork
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Maldon is a version of the Anglo-Saxon epic fragment usually known as The Battle of Maldon, which tells the tale of a battle between the Anglo-Saxons and the invading Vikings which took place ca. 991 AD on the shores of the River Blackwater, almost certainly opposite Northey Island.
Smith’s version [of Maldon] preserves nicely a ghost of the alliterative pattern that rumbles through the original, without trying to reproduce it fully in a clog-dance of consonants. It is recognisably the same poem as the original: it has its linguistic density and compelling narrative pull, but it is free from the mildewed quaintness that sometimes hangs around translation from Old English.
-Dr. Alex Davis, U.C. Cork