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The first work of great French journalist Louis-Sebastien Mercier, this seminal work of travel writing remained unpublished for over 200 years. Mercier first travelled to London, and began recording his impressions, in 1780. An exemplar of a new form of journalistic, reflective literature, he presented emotive representations of the city as collections of experiences, habits and personalities. And differently from Dickens's London or Baudelaire's Paris, with their contrasts of opulence and misery, Mercier describes a less familiar urban environment ? more optimistic, perhaps even utopian. His version of London is, in fact, a projection of his philosophical imagination ? not simply a rounded portrait but also a reflection of what he hoped Paris could become. For this first publication in English, Laurent Turcot and Jonathan Conlin's translation preserves the life and humour of Mercier's text. It is illustrated with contemporary images, with an emphasis on Thomas Rowlandson and Gabriel-Jacques de Saint-Aubin, the first Parisian flaneur-artist. AUTHORS: Laurent Turcot is a professor of history at l'Universite du Quebec a Trois-Rivieres, and specialises in the 16th to the 19th century, and in urban culture and leisure. Jonathan Conlin, a professor of modern history at the University of Southampton, specialises in modern British cultural history from the 18th century to the present, with a focus on urban history. His previous books include The Nation's Mantelpiece (Pallas Athene), Evolution and the Victorians (Bloomsbury) and Civilisation (BFI). He has just completed histories of the National Gallery and the Metropolitan Museum, as well as an acclaimed biography of Calouste Gulbenkian. 113 colour illustrations
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The first work of great French journalist Louis-Sebastien Mercier, this seminal work of travel writing remained unpublished for over 200 years. Mercier first travelled to London, and began recording his impressions, in 1780. An exemplar of a new form of journalistic, reflective literature, he presented emotive representations of the city as collections of experiences, habits and personalities. And differently from Dickens's London or Baudelaire's Paris, with their contrasts of opulence and misery, Mercier describes a less familiar urban environment ? more optimistic, perhaps even utopian. His version of London is, in fact, a projection of his philosophical imagination ? not simply a rounded portrait but also a reflection of what he hoped Paris could become. For this first publication in English, Laurent Turcot and Jonathan Conlin's translation preserves the life and humour of Mercier's text. It is illustrated with contemporary images, with an emphasis on Thomas Rowlandson and Gabriel-Jacques de Saint-Aubin, the first Parisian flaneur-artist. AUTHORS: Laurent Turcot is a professor of history at l'Universite du Quebec a Trois-Rivieres, and specialises in the 16th to the 19th century, and in urban culture and leisure. Jonathan Conlin, a professor of modern history at the University of Southampton, specialises in modern British cultural history from the 18th century to the present, with a focus on urban history. His previous books include The Nation's Mantelpiece (Pallas Athene), Evolution and the Victorians (Bloomsbury) and Civilisation (BFI). He has just completed histories of the National Gallery and the Metropolitan Museum, as well as an acclaimed biography of Calouste Gulbenkian. 113 colour illustrations