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‘Screen Writings: Partial Views of a Total Art, Classic to Contemporary’ offers close readings of individual films intended to explain how moviemakers use the resources of the medium to pursue complex and significant humanistic goals. It fills the middle ground between vague, simple plot summaries and theoretical pronouncements. As such, this book can be considered a call for the return of practical criticism as the best way to understand and appreciate the work of cinematic artists.
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‘Screen Writings: Partial Views of a Total Art, Classic to Contemporary’ offers close readings of individual films intended to explain how moviemakers use the resources of the medium to pursue complex and significant humanistic goals. It fills the middle ground between vague, simple plot summaries and theoretical pronouncements. As such, this book can be considered a call for the return of practical criticism as the best way to understand and appreciate the work of cinematic artists.