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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Weird works unsettle, decentering humanity on a cosmic scale and, at other times, breaking down the human barriers erected around race, class, gender, and sexuality. Featuring a comprehensive editors' introduction to the Weird as a mode engaging with forms of knowledge, transcendence, and resistance, this collection offers a broad-reaching discussion of Weird fiction, film, art, and thought. Its 31 essays explore theoretical and philosophical applications of the Weird, such as Black Metal Theory, and key Weird themes and tropes such as cosmic horror, radical embodiment and sensation, dark ecological speculation, and forms of alterity. Essays are highly varied in period focus and subject matter, ranging from early Weird works by William Hope Hodgson and Conan creator Robert E. Howard, to the surrealist paintings of Leonora Carrington, to more recent works by David Lynch, Octavia Butler, and Yorgos Lanthimos.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Weird works unsettle, decentering humanity on a cosmic scale and, at other times, breaking down the human barriers erected around race, class, gender, and sexuality. Featuring a comprehensive editors' introduction to the Weird as a mode engaging with forms of knowledge, transcendence, and resistance, this collection offers a broad-reaching discussion of Weird fiction, film, art, and thought. Its 31 essays explore theoretical and philosophical applications of the Weird, such as Black Metal Theory, and key Weird themes and tropes such as cosmic horror, radical embodiment and sensation, dark ecological speculation, and forms of alterity. Essays are highly varied in period focus and subject matter, ranging from early Weird works by William Hope Hodgson and Conan creator Robert E. Howard, to the surrealist paintings of Leonora Carrington, to more recent works by David Lynch, Octavia Butler, and Yorgos Lanthimos.