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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Tristan Tzara, co-founder of the Dada movement. This volume provides the first comprehensive account of Tzara's works for the stage. It addresses his distinct approach to theatre across his career and examines to what extent his dadaist and, latterly, surrealist principles are embodied in his stagecraft, both during and after his relations with these groups. This book uncovers the implications for subsequent theatre and performance practices in light of Tzara's innovations and shows how he anticipates certain tendencies that would become markers of invention in theatre history. Addressing the linguistic, dramaturgical, and philosophical aspects of his theatre, this study positions Tristan Tzara as a pioneering playwright.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Tristan Tzara, co-founder of the Dada movement. This volume provides the first comprehensive account of Tzara's works for the stage. It addresses his distinct approach to theatre across his career and examines to what extent his dadaist and, latterly, surrealist principles are embodied in his stagecraft, both during and after his relations with these groups. This book uncovers the implications for subsequent theatre and performance practices in light of Tzara's innovations and shows how he anticipates certain tendencies that would become markers of invention in theatre history. Addressing the linguistic, dramaturgical, and philosophical aspects of his theatre, this study positions Tristan Tzara as a pioneering playwright.