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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The book deals diachronically with Irish crime fiction, from the picaresque of the 17th century up to the late 1990s when the Emerald Noir boom began. Irish writers, often without due recognition, have been instrumental in the development of the genre on an international level, and figures such as Le Fanu, Meade, Childers, Wills Crofts have been responsible for many of the innovations in crime fiction which have later become standard. This book examines Irish crime writing in its widest sense, from the detective mystery to the spy thriller, and seeks to vindicate the relevance of the Irish contribution to the field of crime fiction as well as stressing the importance of crime writing within the field of Irish Studies. This work traces Irish crime fiction from the early appropriation of the picaresque, which would gain resonance throughout Europe, through the gothic, the early detective tale, to the Irish contribution to the Golden Age mystery, to Irish hard-boiled pulp and inner-city police procedurals in which crimes committed by Irish criminals are investigated by Irish agents of detection.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The book deals diachronically with Irish crime fiction, from the picaresque of the 17th century up to the late 1990s when the Emerald Noir boom began. Irish writers, often without due recognition, have been instrumental in the development of the genre on an international level, and figures such as Le Fanu, Meade, Childers, Wills Crofts have been responsible for many of the innovations in crime fiction which have later become standard. This book examines Irish crime writing in its widest sense, from the detective mystery to the spy thriller, and seeks to vindicate the relevance of the Irish contribution to the field of crime fiction as well as stressing the importance of crime writing within the field of Irish Studies. This work traces Irish crime fiction from the early appropriation of the picaresque, which would gain resonance throughout Europe, through the gothic, the early detective tale, to the Irish contribution to the Golden Age mystery, to Irish hard-boiled pulp and inner-city police procedurals in which crimes committed by Irish criminals are investigated by Irish agents of detection.