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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The idea behind asemic writing is to create artworks that are based on the act of mark making similar to handwriting but without reference to semantic content or literary meaning. I suppose you could call it a form of literary abstraction or perhaps non-objective literature. Hence each 'asemic writer' has a unique way of writing or making marks. When we look at handwriting, even if we are unable to decipher it, we are getting some sort of visual content out of it from looking at the marks and rhythms or distributions of the markings on the page. We can get a feeling of order or discipline or perhaps a frenetic energy, or playful or sloppy or it might seem confused or muddled. You might say this is the body language of the handwriting beyond the message conveyed. This body language is the part that is of interest in this work and to asemic writers in general.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The idea behind asemic writing is to create artworks that are based on the act of mark making similar to handwriting but without reference to semantic content or literary meaning. I suppose you could call it a form of literary abstraction or perhaps non-objective literature. Hence each 'asemic writer' has a unique way of writing or making marks. When we look at handwriting, even if we are unable to decipher it, we are getting some sort of visual content out of it from looking at the marks and rhythms or distributions of the markings on the page. We can get a feeling of order or discipline or perhaps a frenetic energy, or playful or sloppy or it might seem confused or muddled. You might say this is the body language of the handwriting beyond the message conveyed. This body language is the part that is of interest in this work and to asemic writers in general.