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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Depicting the literary, erotic, political and clinical trajectory of the Swabian Fruhromantiker Friedrich Hoelderlin (1770-1843), Solomon’s shapeshifting study presents an audacious English remix of Stephan Hermlin’s 1970 radio drama Scardanelli, amplifying the complex contexts of Hoelderlin’s psychiatric committal and subsequent discharge into the home of a Tubingen carpenter in May 1807. Supplemented by a new translation of Hermlin’s memoir essay Hoelderlin 1944 and the author’s interdisciplinary texts and commentaries, this provocative volume furnishes a creative reinterpretation of a contribution to modern audio drama that will speak to playmakers and scholars engaged with German Romanticism, the poetics of translation and the cultural history of radio.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Depicting the literary, erotic, political and clinical trajectory of the Swabian Fruhromantiker Friedrich Hoelderlin (1770-1843), Solomon’s shapeshifting study presents an audacious English remix of Stephan Hermlin’s 1970 radio drama Scardanelli, amplifying the complex contexts of Hoelderlin’s psychiatric committal and subsequent discharge into the home of a Tubingen carpenter in May 1807. Supplemented by a new translation of Hermlin’s memoir essay Hoelderlin 1944 and the author’s interdisciplinary texts and commentaries, this provocative volume furnishes a creative reinterpretation of a contribution to modern audio drama that will speak to playmakers and scholars engaged with German Romanticism, the poetics of translation and the cultural history of radio.