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The Awakening Aten envelops the reader in an Egypt of whispers and fears, of webs within webs, deceit upon deceit. Its themes of murder, intrigue, political and religious conflict, corruption, tomb robbing, war and executions are set against a background of fundamental ideological change.
Ancient Egypt is seen through the eyes of two families; one royal, the other commoner. Yuya, whose tomb is in the Valley of the Kings, is a foreigner who rises from slavery to become Regent to an infant Pharaoh and thus, the most powerful man in the world’s wealthiest empire. His children and descendants will remain at the very heart of the country’s destiny. Kha is a tomb painter and builder who experiences both the despair of imprisonment and the horror of war. As Overseer of the King’s Works he restores the Great Sphinx, and inscribes the ‘Dream Stela’ placed between its paws, still visible today. Through tragic and deathly events his family and that of Yuya become entwined.
This is the fictional tale of real people, whose possessions and artefacts can be seen in museums throughout the world. It gives a voice to those people, inspired by their personal items, buried with them 3,000 years ago.
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The Awakening Aten envelops the reader in an Egypt of whispers and fears, of webs within webs, deceit upon deceit. Its themes of murder, intrigue, political and religious conflict, corruption, tomb robbing, war and executions are set against a background of fundamental ideological change.
Ancient Egypt is seen through the eyes of two families; one royal, the other commoner. Yuya, whose tomb is in the Valley of the Kings, is a foreigner who rises from slavery to become Regent to an infant Pharaoh and thus, the most powerful man in the world’s wealthiest empire. His children and descendants will remain at the very heart of the country’s destiny. Kha is a tomb painter and builder who experiences both the despair of imprisonment and the horror of war. As Overseer of the King’s Works he restores the Great Sphinx, and inscribes the ‘Dream Stela’ placed between its paws, still visible today. Through tragic and deathly events his family and that of Yuya become entwined.
This is the fictional tale of real people, whose possessions and artefacts can be seen in museums throughout the world. It gives a voice to those people, inspired by their personal items, buried with them 3,000 years ago.