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A sparkling second poetry collection from the nurse and prizewinning poet, moving between the Philippines and the speaker's adopted England, between myths of the past and the grind of the present-day NHS, asking- how do we keep safe what we hold most dear?
this charms the buried light of stars - this deflects bullets - this unblooms a war -
In some Filipino clans, parents pass down to each child an agimat, an amulet or charm, in the hope its magic will protect and empower them. In a world of daily pain and loss, Romalyn Ante's second collection asks how do we keep safe what we hold most dear? At the dawn of the pandemic, the poet - a practising nurse in the NHS - is thrown onto the frontlines of the war against COVID-19, and finds herself questioning what it means to fight, and what it takes to heal.
Past conflicts swim into the now- when the poet falls in love with a man of Japanese heritage, it forces a reckoning with her family's suffering under Japan's brutal wartime occupation of the Philippines. Elsewhere, we meet the irrepressible, many-breasted goddess Mebuyan, the poet's alter ego. In Philippine myth, Mebuyan nurses the spirits of departed children in the underworld, but here she watches over young people in crisis - a girl who can't stop cutting herself, a teenager who has leapt from a railway viaduct. These are poems of strength and solace - they quiver with heart, feeling a way toward hope.
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A sparkling second poetry collection from the nurse and prizewinning poet, moving between the Philippines and the speaker's adopted England, between myths of the past and the grind of the present-day NHS, asking- how do we keep safe what we hold most dear?
this charms the buried light of stars - this deflects bullets - this unblooms a war -
In some Filipino clans, parents pass down to each child an agimat, an amulet or charm, in the hope its magic will protect and empower them. In a world of daily pain and loss, Romalyn Ante's second collection asks how do we keep safe what we hold most dear? At the dawn of the pandemic, the poet - a practising nurse in the NHS - is thrown onto the frontlines of the war against COVID-19, and finds herself questioning what it means to fight, and what it takes to heal.
Past conflicts swim into the now- when the poet falls in love with a man of Japanese heritage, it forces a reckoning with her family's suffering under Japan's brutal wartime occupation of the Philippines. Elsewhere, we meet the irrepressible, many-breasted goddess Mebuyan, the poet's alter ego. In Philippine myth, Mebuyan nurses the spirits of departed children in the underworld, but here she watches over young people in crisis - a girl who can't stop cutting herself, a teenager who has leapt from a railway viaduct. These are poems of strength and solace - they quiver with heart, feeling a way toward hope.