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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
"From the small bones of the middle ear can be fashioned a key."
"For a while now," Timothy J. Jarvis tells us in the first tale here, "I've been collecting texts that hint at strange tales." He goes on to explain that these "Treatises on Dust" are not ghost stories in the traditional sense. Indeed none of the pieces in the collection could be said to be in the vein of traditional supernatural fiction. They are haunted, not by ghosts, but by an obscure volume of French decadent poetry, a seventeenth-century murder ballad, a bone antenna, and by places where "the membrane is thin".
They cleave closer to what the literary hermit of Arthur Machen's Hieroglyphics called "ecstasy". Though perhaps an ecstasy found less in the "withdrawal from the common life and the common consciousness", than one grubbed up from the murk of that very consciousness.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
"From the small bones of the middle ear can be fashioned a key."
"For a while now," Timothy J. Jarvis tells us in the first tale here, "I've been collecting texts that hint at strange tales." He goes on to explain that these "Treatises on Dust" are not ghost stories in the traditional sense. Indeed none of the pieces in the collection could be said to be in the vein of traditional supernatural fiction. They are haunted, not by ghosts, but by an obscure volume of French decadent poetry, a seventeenth-century murder ballad, a bone antenna, and by places where "the membrane is thin".
They cleave closer to what the literary hermit of Arthur Machen's Hieroglyphics called "ecstasy". Though perhaps an ecstasy found less in the "withdrawal from the common life and the common consciousness", than one grubbed up from the murk of that very consciousness.