It all began when they started running away . . .
Life for Winona Dalloway is not as it should be. Her husband is no longer her husband, her children are not at home with her, and the city in which she lives is besieged by fires. Black ash falls like snow, songbirds screech like dinosaurs, and the doctors are calling her mad ...
In this looking-glass world, Winona is forced to prove she is a sane, rational human being. As the pronouncements of the professionals grow more insistent, so too do the voices crowding inside Winona's head. She seeks solace in the company of plants and animals, and begins to imagine an entirely other way of being - one that might make whole her broken heart.
Praise for Thunderhead- 'Thunderhead is edgy black comedy and sports real-time internal monologue meticulously describing one day of domestic purgatory ... Darling's whip-smart short novel creates a strong narrative voice spiked with caustic wit, intertextual reference, and intelligent humour. It's formidably brilliant feminist fiction that sparks a compelling conversation with its literary forebears, Woolf in particular.' -Cameron Woodhead, The Sydney Morning Herald
'A feminist triumph and homage to Virginia Woolf, Miranda Darling's Thunderhead is a potent exploration of suburban entrapment for women.' -Cassandra Atherton, Australian Book Review
'Set over one fever-pitched day ... It's a daring book, adopting the aesthetics of Deborah Levy with the velocity of a crime thriller and an off-kilter voice, deeply internal, darkly comic, clipped, and Woolfish ... Thunderhead brims with magazine-style musings - all those dizzying top notes, that intertextuality, the style. It's a strong, complex, and self-aware voice, and it is the primary vehicle through which we gauge Winona's resilience and determination. If The Catcher in the Rye were instead penned by a domestic violence survivor, it might read a little like Thunderhead. For fans of Melissa Broder, Elizabeth Hardwick, and Edwina Preston.' -Mel Fulton, Books+Publishing
