Undershore

Undershore examines the speaker's ongoing grief following the loss of her mother to breast cancer against the backdrop of a sustained engagement with the natural world. The manuscript is structured around a series of "visitations"--imagined encounters with the poet's mother after her death. The title "Undershore" is meant to describe the location of these visitations--littoral, submerged, oneiric--a space that is interior to the self while also at the edge of the self--intimate and peripheral--like the voice. Grief, in the speaker's experience, comes in waves, and so the title that conveys the tidal nature of the mother's returning to her, her constant glimmering in and out of daily existence. To mimic this movement, the visitations occur at loosely regular intervals throughout the manuscript, the book turning with each of the mother's returns. In between each poem titled "Visitation" are nestled other poems, some tightly-wound lyrics, some diffuse, floaty poems--all fascinated by the botanical world, by the shoreline, by desire, by intimacy and grief, and by the unexpected and inevitable way these concerns bleed into one another. The collection finds the ephemerality of the flower as it moves through its cycle of bloom and decay (and finally, sometimes, fruit) compounds and enriches the tidal movement of the work. Gardens and oceans hide things; both have depths, shades, shallows. The book finds an appeal and fascination in their shared habit of containing secrets. These poems invite the reader into hidden spaces, into an undershore, without fully disclosing its secrets.