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The Fleur-de-lis, a document by woman poet Emily Isaacson, was born from the confines of her imprisonment, producing over 800 poems in both English and French. Hailed as a mystic, her free-verse poetry astounded critics, earning her recognition as a distinguished figure in Canadian literature, with The Fleur-de-lis being likened to a royal bouquet that has traversed the borders to England. Crafted for a prince, the collection now stands as a regal compilation in one volume, bearing the authentic words and personal seal of its enigmatic creator. Isaacson's poems, akin to mini speeches, manage to forge an intimate connection with readers. The fleur-de-lis, her enduring symbol, becomes a powerful metaphor for valour, standing resolute against the challenges she faced. The poems, whose recipients have been recluses, monks, and ministers, resonate in convents but face rejection in churches. The dichotomy of her gift, viewed by some as divine and others as witchcraft, only adds layers to the mystique surrounding Isaacson's work. As history approached the conclusion of the Queen's era, the Royal Rose, Isaacson's poems transcended their temporal origins, becoming timeless expressions that would uplift and resonate with readers. Her legacy endures, casting her as the Queen of distant lands and closer hearts, leaving an indelible call through the corridors of time and offering a beacon of hope for next generations.
