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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This is a collection of four short one act plays. Each exposes hard questions in the law. Nunc Pro Tunc compares the pros– and the many cons– of life in a law firm in 1961 to that in the present. Outcome Ordained explores the difficult and sometimes impossible issues that arise in a sentencing of a terrible crime, alluding to the perspectives of the victim, parents, the lawyers, the perpetrator, as well as the judge. The Interview, which is the only play partially based on a true story, asks whether the criminal justice system can ever truly deal with evil. Some of imagery in that play is brutal, and is not suitable for a younger audience. The collection ends with a lighter touch. Red Curtains is a conversation between two judges of different generations and very different approaches to the job of being a judge, but perhaps with other things in common.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This is a collection of four short one act plays. Each exposes hard questions in the law. Nunc Pro Tunc compares the pros– and the many cons– of life in a law firm in 1961 to that in the present. Outcome Ordained explores the difficult and sometimes impossible issues that arise in a sentencing of a terrible crime, alluding to the perspectives of the victim, parents, the lawyers, the perpetrator, as well as the judge. The Interview, which is the only play partially based on a true story, asks whether the criminal justice system can ever truly deal with evil. Some of imagery in that play is brutal, and is not suitable for a younger audience. The collection ends with a lighter touch. Red Curtains is a conversation between two judges of different generations and very different approaches to the job of being a judge, but perhaps with other things in common.