Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…

A powerful meditation on the art of seeing A collaboration between English professor and photographer W. Scott Olsen and Tomasz Trzebiatowski, founder of Frames magazine, Reading Frames gathers sixty-nine photographs first featured in Frames' digital companion. Olsen's essays interrogate the compositional and aesthetic elements of the photographs, but rather than offering technical instruction, Olsen writes with a literary sensibility, tracing how light, tone, color, and line evoke mood, meaning, and story. The essays ask us to linger with each photograph, guiding readers toward attentiveness, presence, and conversation with the image itself. Suited both to introductory photography classes and to general readers, this book is an example of how truly seeing an image is not the same as looking at it.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
Stock availability can be subject to change without notice. We recommend calling the shop or contacting our online team to check availability of low stock items. Please see our Shopping Online page for more details.
A powerful meditation on the art of seeing A collaboration between English professor and photographer W. Scott Olsen and Tomasz Trzebiatowski, founder of Frames magazine, Reading Frames gathers sixty-nine photographs first featured in Frames' digital companion. Olsen's essays interrogate the compositional and aesthetic elements of the photographs, but rather than offering technical instruction, Olsen writes with a literary sensibility, tracing how light, tone, color, and line evoke mood, meaning, and story. The essays ask us to linger with each photograph, guiding readers toward attentiveness, presence, and conversation with the image itself. Suited both to introductory photography classes and to general readers, this book is an example of how truly seeing an image is not the same as looking at it.