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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Sinkholes are everywhere now - Whimsical, satirical, often biting and surreal, these verbal lightning flashes illuminate our contingent, federated selves, the intersectionalities of our strange interpenetrations. The Europeans have a word for this: feuilleton, which was originally a supplement attached to editorial pages of French newspapers, and later in German and Middle-European newspapers. They can be anything from political or non-political gossip and news, surreal short-short stories, art criticism, reports on the latest fashions, philosophic epigrams to charades and other literary pieces in the guise of trifles. Practitioners have included George Sand, Flaubert, Zola, Capek, and Kafka. They’ve been in and out of fashion, and back in again, and in Eastern Europe were often written to side-step censorship.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Sinkholes are everywhere now - Whimsical, satirical, often biting and surreal, these verbal lightning flashes illuminate our contingent, federated selves, the intersectionalities of our strange interpenetrations. The Europeans have a word for this: feuilleton, which was originally a supplement attached to editorial pages of French newspapers, and later in German and Middle-European newspapers. They can be anything from political or non-political gossip and news, surreal short-short stories, art criticism, reports on the latest fashions, philosophic epigrams to charades and other literary pieces in the guise of trifles. Practitioners have included George Sand, Flaubert, Zola, Capek, and Kafka. They’ve been in and out of fashion, and back in again, and in Eastern Europe were often written to side-step censorship.