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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Gustave Kahn (1859-1936), prominent art critic and one of the founders of the Symbolist -Movement, in 1894 published his first novel, The Mad King, which is here presented for the first time in English in an adept translation by Colin and Sue Boswell. Written when the author was living in Belgium and editing the anarchist review La Societe nouvelle, The Mad King, highly experimental in nature, is a minor masterpiece of fin-de-siecle irony, chronicling, with considerable humour, the story of Christian, King of Hummertanz, and his faithful Palace Marshal, the Duke of Sparkling, via unreliable narration, acrobatic syntax, and an exceptionally rich vocabulary.
This remarkably eccentric novel, at once a study of symbols, sciences, and philosophies, and composed with a poet’s pen, will be a welcome addition to any library of avant-garde literature.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Gustave Kahn (1859-1936), prominent art critic and one of the founders of the Symbolist -Movement, in 1894 published his first novel, The Mad King, which is here presented for the first time in English in an adept translation by Colin and Sue Boswell. Written when the author was living in Belgium and editing the anarchist review La Societe nouvelle, The Mad King, highly experimental in nature, is a minor masterpiece of fin-de-siecle irony, chronicling, with considerable humour, the story of Christian, King of Hummertanz, and his faithful Palace Marshal, the Duke of Sparkling, via unreliable narration, acrobatic syntax, and an exceptionally rich vocabulary.
This remarkably eccentric novel, at once a study of symbols, sciences, and philosophies, and composed with a poet’s pen, will be a welcome addition to any library of avant-garde literature.