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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Monada, by French man of letters Gabriel Mourey (1865-1943), is one of the great short story collections of the Decadent Movement. First published in 1894, and here presented for the first time in English, in an excellent translation by Shawn Garrett, the sixteen stories it contains range widely in theme, but are almost all marked by a melancholy mood-of things lost, of things missed. From symbolist fables to bizarre vignettes, from contes cruels to aesthetic reveries, Monada presents the visions of an exceedingly rare talent whose fictional work, until now, has been denied the Anglophone reader. The volume, long and undeservedly forgotten, is certainly worthy of a well-placed position in the Decadent canon.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Monada, by French man of letters Gabriel Mourey (1865-1943), is one of the great short story collections of the Decadent Movement. First published in 1894, and here presented for the first time in English, in an excellent translation by Shawn Garrett, the sixteen stories it contains range widely in theme, but are almost all marked by a melancholy mood-of things lost, of things missed. From symbolist fables to bizarre vignettes, from contes cruels to aesthetic reveries, Monada presents the visions of an exceedingly rare talent whose fictional work, until now, has been denied the Anglophone reader. The volume, long and undeservedly forgotten, is certainly worthy of a well-placed position in the Decadent canon.