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In Jeremy Cantor's first collection, Wisteria from Seed, we were swept in a strong current of scientific naturalism spotted with reflective pools and warming eddies. As I wrote in the foreword to that set "it finds universals in the quotidian...its meaning disguised in the plain dress of moment-to-moment experience."
The present volume, Cantor's second, has matured to even greater measurement of the moment...embracing the now with a mixture of rumination and recrimination...yet still luminous in its attention to nature, family, community, observation...and survival.
This is poetry of time for a time: for our time, mourning traditional truth in the post-truth world; for any time, a sober reconciliation of present with past where memories and reflections admit a darker but no less faithful conviction.
From the foreword by Michael Manning,
former Classical Music Critic/Arts Correspondent
The Boston Globe
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In Jeremy Cantor's first collection, Wisteria from Seed, we were swept in a strong current of scientific naturalism spotted with reflective pools and warming eddies. As I wrote in the foreword to that set "it finds universals in the quotidian...its meaning disguised in the plain dress of moment-to-moment experience."
The present volume, Cantor's second, has matured to even greater measurement of the moment...embracing the now with a mixture of rumination and recrimination...yet still luminous in its attention to nature, family, community, observation...and survival.
This is poetry of time for a time: for our time, mourning traditional truth in the post-truth world; for any time, a sober reconciliation of present with past where memories and reflections admit a darker but no less faithful conviction.
From the foreword by Michael Manning,
former Classical Music Critic/Arts Correspondent
The Boston Globe