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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In The Way of the Cross, Caryll Houselander accomplishes two things: first, by her imaginative re-creation of the Passion and Death of Our Lord, realized with intensity, detail, and depth, she brings a drama of anguish and tragedy to our immediate awareness; secondly, she shows us the Passion reflected in all human suffering. We can no more be detached spectators of the Passion than we can be detached spectators of the griefs and travails of the contemporary world. As Caryll Houselander writes, the part we are called to play is that of Veronica, coming forward to wipe the tears and sorrows from every stricken face we meet. And each time we have the courage and compassion to do so, we find the same image left on the veil. These profound meditations on the Stations of the Cross allow the reader to walk in the footsteps of Christ on that distant yet ever-present Good Friday.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In The Way of the Cross, Caryll Houselander accomplishes two things: first, by her imaginative re-creation of the Passion and Death of Our Lord, realized with intensity, detail, and depth, she brings a drama of anguish and tragedy to our immediate awareness; secondly, she shows us the Passion reflected in all human suffering. We can no more be detached spectators of the Passion than we can be detached spectators of the griefs and travails of the contemporary world. As Caryll Houselander writes, the part we are called to play is that of Veronica, coming forward to wipe the tears and sorrows from every stricken face we meet. And each time we have the courage and compassion to do so, we find the same image left on the veil. These profound meditations on the Stations of the Cross allow the reader to walk in the footsteps of Christ on that distant yet ever-present Good Friday.