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This book explores Antonio Munoz Molina’s creation of compelling narratives about Spain’s immediate past by engaging in a dynamic dialogue with popular culture subgenres and the media. The author asserts that popular culture functions in Munoz Molina’s novels as provider of a series of strategies that represent in the text aspects of Francoism and the Transition that, because of their relevance, are part of the structure of feeling of those periods. The study focuses on the role of popular music, film, photography, the thriller, the romance novel as well as the radio and other gadgets of modern technology in Munoz Molina’s Novels. The Gaze on the Past argues that through the incorporation of popular culture in texts, Munoz Molina undertakes a deliberate and intense reflection on memory and on the creation of historical moments, highlighting their desire to be heard.
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This book explores Antonio Munoz Molina’s creation of compelling narratives about Spain’s immediate past by engaging in a dynamic dialogue with popular culture subgenres and the media. The author asserts that popular culture functions in Munoz Molina’s novels as provider of a series of strategies that represent in the text aspects of Francoism and the Transition that, because of their relevance, are part of the structure of feeling of those periods. The study focuses on the role of popular music, film, photography, the thriller, the romance novel as well as the radio and other gadgets of modern technology in Munoz Molina’s Novels. The Gaze on the Past argues that through the incorporation of popular culture in texts, Munoz Molina undertakes a deliberate and intense reflection on memory and on the creation of historical moments, highlighting their desire to be heard.