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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
First heard with the opera’s premiere on October 9, 1826 in Paris’ Salle le Peletier, Rossini’s ballet music has grandually gained in popularity ever since even though the opera itself is only rarely perfomed now. As with the overtures, this orchestra selection has not been treated very well by publishers over the decades. Part of the problem stems from the composer’s own manuscripts which were the product of rapid composing under pressure from opera houses. Many things which were simply assumed by performers of the era from their first appearance and applied to analogous passages weren’t by those of later eras. This new study score is a licensed reprint of the superb performing edition prepared by Howard K. Wolf in 2014 issued in large score and parts by E.F. Kalmus.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
First heard with the opera’s premiere on October 9, 1826 in Paris’ Salle le Peletier, Rossini’s ballet music has grandually gained in popularity ever since even though the opera itself is only rarely perfomed now. As with the overtures, this orchestra selection has not been treated very well by publishers over the decades. Part of the problem stems from the composer’s own manuscripts which were the product of rapid composing under pressure from opera houses. Many things which were simply assumed by performers of the era from their first appearance and applied to analogous passages weren’t by those of later eras. This new study score is a licensed reprint of the superb performing edition prepared by Howard K. Wolf in 2014 issued in large score and parts by E.F. Kalmus.