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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
First heard with the premiere of the opera on May 22, 1813 in Venice at the Teatro San Benedetto, Rossini’s overture grew in popularity as rapidly as the opera - a staple of the repertoire since the beginning. As with the other overtures, this one has not been treated very well by publishers over the decades. Part of the problem stems from the composer’s own manuscripts which were the product of rapid composing under pressure from opera houses. Many things which were simply assumed by performers of the era from their first appearance and applied to analogous passages weren’t by those of later eras. This new study score is a licensed reprint of the superb performing edition prepared by Clark McAlister in 2006 issued in large score and parts by E.F. Kalmus.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
First heard with the premiere of the opera on May 22, 1813 in Venice at the Teatro San Benedetto, Rossini’s overture grew in popularity as rapidly as the opera - a staple of the repertoire since the beginning. As with the other overtures, this one has not been treated very well by publishers over the decades. Part of the problem stems from the composer’s own manuscripts which were the product of rapid composing under pressure from opera houses. Many things which were simply assumed by performers of the era from their first appearance and applied to analogous passages weren’t by those of later eras. This new study score is a licensed reprint of the superb performing edition prepared by Clark McAlister in 2006 issued in large score and parts by E.F. Kalmus.