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Understanding Rita Dove serves as a critical introduction to the poetry of the Pulitzer Prize-winning writer who was also the first African American poet laureate of the United States. Through close readings of seven poetry collections, Pat Righelato offers detailed analyses of Rita Dove’s thematic concerns and artistic development while bringing to light the musical sense of form and expression of history that permeates Dove’s work. While underscoring each collection’s distinctive identity, Righelato explores the continuities that link volume to volume, from the earliest chapbooks to Dove’s most recent collection,
American Smooth . Charting Dove’s evolution as a poet, Righelato begins with
The Yellow House on the Corner
to identify motifs of the mythical, historical, familial, and autobiographical that have become the writer’s artistic capital. Dove brings African American experience to the mainstream of American poetry in
Thomas and Beulah
and
On the Bus with Rosa Parks . Righelato positions Dove as a successor to Robert Lowell in that her preoccupation with family history is exemplary of American culture. Righelato also argues for viewing Dove as markedly international. In particular Righelato illuminates Dove’s affinity with the poet Rainer Maria Rilke in a feminist reading of
Mother Love , a volume written in respectful engagement with his Sonnets to Orpheus.
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Understanding Rita Dove serves as a critical introduction to the poetry of the Pulitzer Prize-winning writer who was also the first African American poet laureate of the United States. Through close readings of seven poetry collections, Pat Righelato offers detailed analyses of Rita Dove’s thematic concerns and artistic development while bringing to light the musical sense of form and expression of history that permeates Dove’s work. While underscoring each collection’s distinctive identity, Righelato explores the continuities that link volume to volume, from the earliest chapbooks to Dove’s most recent collection,
American Smooth . Charting Dove’s evolution as a poet, Righelato begins with
The Yellow House on the Corner
to identify motifs of the mythical, historical, familial, and autobiographical that have become the writer’s artistic capital. Dove brings African American experience to the mainstream of American poetry in
Thomas and Beulah
and
On the Bus with Rosa Parks . Righelato positions Dove as a successor to Robert Lowell in that her preoccupation with family history is exemplary of American culture. Righelato also argues for viewing Dove as markedly international. In particular Righelato illuminates Dove’s affinity with the poet Rainer Maria Rilke in a feminist reading of
Mother Love , a volume written in respectful engagement with his Sonnets to Orpheus.