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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Barter exchanges history for myth, direct speech for epistles, activity for observation … breathtaking. –Claudia Rankine
Felix the Rat’s hind feet could be Barbie hands– same pink, same
injection-molded seaming.–from Electronica
The poems in Barter, Monica Youn’s exciting first collection, negotiate transactions between scarcity and excess, pornography and abstraction, the thing and the thing seen. Rendered with a dazzling array of structures and allusions, these poems describe–and become–a strange gallery of paintings and portraits. She offers a Polaroid left on a windshield, step-by-step instructions for Drawing for Absolute Beginners, a stereoscope with a box of slides. Both an homage to and a warning against nonexistent things, Barter introduces a vibrant new voice and a new way of seeing.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Barter exchanges history for myth, direct speech for epistles, activity for observation … breathtaking. –Claudia Rankine
Felix the Rat’s hind feet could be Barbie hands– same pink, same
injection-molded seaming.–from Electronica
The poems in Barter, Monica Youn’s exciting first collection, negotiate transactions between scarcity and excess, pornography and abstraction, the thing and the thing seen. Rendered with a dazzling array of structures and allusions, these poems describe–and become–a strange gallery of paintings and portraits. She offers a Polaroid left on a windshield, step-by-step instructions for Drawing for Absolute Beginners, a stereoscope with a box of slides. Both an homage to and a warning against nonexistent things, Barter introduces a vibrant new voice and a new way of seeing.