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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Beyond Belief: Theoaesthetics or Just Old-Time Religion? explores the possible reemergence of a theological dimension to contemporary art. Long estranged from symbol and sacrament, contemporary artists–and those who think and write about them–seem to have turned once again to a vision rooted in the sacred. In an era marked culturally by world-weary cynicism and self-conscious irony, a new humanism may be emerging, one which aims to move beyond fragmentation and opposition to integration and unification. The aim of this book is not to propose a resurgence of religious iconography, but rather to give voice to long-suppressed–often maligned, and certainly professionally risky–positions informed by and reverberating with themes of the sacred. The essays included here, by a range of scholars working on these issues today, originated as a lively and spirited session of the 2008 College Art Association annual conference.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Beyond Belief: Theoaesthetics or Just Old-Time Religion? explores the possible reemergence of a theological dimension to contemporary art. Long estranged from symbol and sacrament, contemporary artists–and those who think and write about them–seem to have turned once again to a vision rooted in the sacred. In an era marked culturally by world-weary cynicism and self-conscious irony, a new humanism may be emerging, one which aims to move beyond fragmentation and opposition to integration and unification. The aim of this book is not to propose a resurgence of religious iconography, but rather to give voice to long-suppressed–often maligned, and certainly professionally risky–positions informed by and reverberating with themes of the sacred. The essays included here, by a range of scholars working on these issues today, originated as a lively and spirited session of the 2008 College Art Association annual conference.