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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The second in a series, this book examines the various film adaptations of King’s Night Shift anthology. Through his Dollar Baby program, King licensed several Night Shift stories to aspiring filmmakers for just one dollar each, resulting in numerous student film adaptations. Although most have never been screened outside of a college classroom, films like Frank Darabont’s The Woman in the Room were eventually released commercially with considerable critical success. Darabont, in fact, would later direct both The Shawshank Redemption and The Green Mile.
This volume critically examines and contextualizes these and other adaptations of the Night Shift short stories, illuminating how each film is a uniquely and intricately collaborative endeavor. It charts the development of each adaptation through old and new interviews with the creators, exploring how Hollywood filmmakers continue to reinvent, reimagine, remake and reboot King’s stories.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The second in a series, this book examines the various film adaptations of King’s Night Shift anthology. Through his Dollar Baby program, King licensed several Night Shift stories to aspiring filmmakers for just one dollar each, resulting in numerous student film adaptations. Although most have never been screened outside of a college classroom, films like Frank Darabont’s The Woman in the Room were eventually released commercially with considerable critical success. Darabont, in fact, would later direct both The Shawshank Redemption and The Green Mile.
This volume critically examines and contextualizes these and other adaptations of the Night Shift short stories, illuminating how each film is a uniquely and intricately collaborative endeavor. It charts the development of each adaptation through old and new interviews with the creators, exploring how Hollywood filmmakers continue to reinvent, reimagine, remake and reboot King’s stories.