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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
No Great Magic works by itself as the tale of poor Greta, a girl taken in like a pet by a company of Shakespearean actors. She lives in the dressing room of their little theater in New York’s Central Park. Leiber – an actor’s son – brings an insider’s eye to life behind the curtain. But Greta begins to doubt the curtain is real. She has physical and mental wounds to mend, and her mind plays tricks on her, but nothing accounts for the strange things she sees – the shifts in time she senses. Is she caught up in a costumed staging of MacBeth, or has she gone back to Shakespeare’s time? And why? The answer comes only, as Shakespeare said, When the hurlyburly’s done, / When the battle’s lost and won.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
No Great Magic works by itself as the tale of poor Greta, a girl taken in like a pet by a company of Shakespearean actors. She lives in the dressing room of their little theater in New York’s Central Park. Leiber – an actor’s son – brings an insider’s eye to life behind the curtain. But Greta begins to doubt the curtain is real. She has physical and mental wounds to mend, and her mind plays tricks on her, but nothing accounts for the strange things she sees – the shifts in time she senses. Is she caught up in a costumed staging of MacBeth, or has she gone back to Shakespeare’s time? And why? The answer comes only, as Shakespeare said, When the hurlyburly’s done, / When the battle’s lost and won.