Chinese Philosophy and Contemporary Aesthetics: Unthought of Empty

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The purpose of Chinese Philosophy and Contemporary Aesthetics is simple and straightforward: to discuss empty, nothing, opening, white, nature color, blankness, and different delicate senses, in ink-water painting and calligraphy, around discourses of poetics, philosophy ideas, and art critics.

Because xu has inner plasticity and re-generation, which are crucial for its aesthetic discourse, the relation between nature or naturalness and emptiness approaches a fundamental question of modernity-the relation between event revolution and silent transformation.