Musical Form

This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.

CONTENTS Introduction Rhythm–Sentences and Phrases The Subdivisions of a Musical Sentence– Sections and Motives Modulation– Key-Relationship The Means of Modulation– Modulation by Means of Triads The Construction of Simple Sentences with Regular Rhythm Irregular and Complex Rhythms The Simple Binary Form The Simple Ternary Form Ebenezer Prout (1835-1909) was Professor of Harmony and Composition at the Royal Academy of Music, and Professor of Music in the University of Dublin. He is also the author of Applied Form, Harmony: Its Theory and Practice and Counterpoint: Strict and Free. He edited the Monthly Musical Review (1871-1875), and was a music critic for The Academy (1874-79) and The Athenaeum (1879-89).