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The Soviet T-34 tank is undoubtedly one of the most recognizable symbols of the Red Army and its struggle against the Third Reich in the Second World War. Not surprisingly, over the years a considerable number of books and films have been dedicated to Stalin's so-called 'wonder tank'. Many historians, especially those in Russia, peremptorily call the T-34 the best tank of the war. In so doing, they often refer to the 'authoritative' opinion of Heinz Guderian and other German generals. Von Kleist, for example, is stated to have once referred to the T-34 as 'the finest tank in the world'. But, as Dmitry Zubov sets out to explore in this book, was this the true picture? The reality of the summer of 1941, following Hitler's invasion of the Soviet Union, Operation Barbarossa, revealed that it took the Wehrmacht only a couple of months to turn Stalin's tank armada into little more than a pile of scrap metal. Despite this inauspicious beginning to its combat service, the myth of the T-34's 'invincibility' was already being born. It was a development that, argues Dmitry Zubov, was in part driven by the Soviet propaganda machine, but also by their enemy. As the fighting wore on, the Germans became increasingly bogged down in endless operations to cover their flanks from the mythical counterattacks of Stalin's Red Army, which by that time had actually lost most of its combat capability. But to hide the consequences of Hitler's incompetent command, German generals had to explain the collapse of Operation Barbarossa by the incredible resilience of Soviet soldiers, the appalling 'Russian winter', and finally, by the 'vast superiority', to quote Guderian, of the T-34 tank. Between them, Hitler's commanders argued, they had torn apart their excellent plans. These facts motivated the author to examine the real history of the creation, production, and combat use of Stalin's 'wonder tank'. Under the numerous layers of Soviet secrecy, myths, propaganda and outright lies, he has exposed a bitter reality. The T-34 tank was not a masterpiece of Soviet engineering, but in fact a design that, in reality, was based on plans 'borrowed' by Soviets from designers in the West. Produced in an incredible hurry by unskilled workers, Stalin's 'wonder tank' often presented an easy target for the German panzers and anti-tank gunners, and battlefield graves for their Soviet crews. AUTHOR: Dmitry Zubov is the author of thirty-two books on military history, published in both Russian and English. Being a professional psychologist, Dmitry is keen to scientifically explore the motives of key characters in the military history of the 20th century. He is critical of the prevailing views regarding the most important events on the Eastern Front, and his books, based on archival sources, present alternative versions of the interpretation of these key episodes of the Second World War. Dmitry has been teaching at Nizhny Novgorod State Technical University for more than fifteen years, including nine years as an Associate Professor, PhD. He now devotes all his time to writing and translating books into English. 60 b/w illustrations
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The Soviet T-34 tank is undoubtedly one of the most recognizable symbols of the Red Army and its struggle against the Third Reich in the Second World War. Not surprisingly, over the years a considerable number of books and films have been dedicated to Stalin's so-called 'wonder tank'. Many historians, especially those in Russia, peremptorily call the T-34 the best tank of the war. In so doing, they often refer to the 'authoritative' opinion of Heinz Guderian and other German generals. Von Kleist, for example, is stated to have once referred to the T-34 as 'the finest tank in the world'. But, as Dmitry Zubov sets out to explore in this book, was this the true picture? The reality of the summer of 1941, following Hitler's invasion of the Soviet Union, Operation Barbarossa, revealed that it took the Wehrmacht only a couple of months to turn Stalin's tank armada into little more than a pile of scrap metal. Despite this inauspicious beginning to its combat service, the myth of the T-34's 'invincibility' was already being born. It was a development that, argues Dmitry Zubov, was in part driven by the Soviet propaganda machine, but also by their enemy. As the fighting wore on, the Germans became increasingly bogged down in endless operations to cover their flanks from the mythical counterattacks of Stalin's Red Army, which by that time had actually lost most of its combat capability. But to hide the consequences of Hitler's incompetent command, German generals had to explain the collapse of Operation Barbarossa by the incredible resilience of Soviet soldiers, the appalling 'Russian winter', and finally, by the 'vast superiority', to quote Guderian, of the T-34 tank. Between them, Hitler's commanders argued, they had torn apart their excellent plans. These facts motivated the author to examine the real history of the creation, production, and combat use of Stalin's 'wonder tank'. Under the numerous layers of Soviet secrecy, myths, propaganda and outright lies, he has exposed a bitter reality. The T-34 tank was not a masterpiece of Soviet engineering, but in fact a design that, in reality, was based on plans 'borrowed' by Soviets from designers in the West. Produced in an incredible hurry by unskilled workers, Stalin's 'wonder tank' often presented an easy target for the German panzers and anti-tank gunners, and battlefield graves for their Soviet crews. AUTHOR: Dmitry Zubov is the author of thirty-two books on military history, published in both Russian and English. Being a professional psychologist, Dmitry is keen to scientifically explore the motives of key characters in the military history of the 20th century. He is critical of the prevailing views regarding the most important events on the Eastern Front, and his books, based on archival sources, present alternative versions of the interpretation of these key episodes of the Second World War. Dmitry has been teaching at Nizhny Novgorod State Technical University for more than fifteen years, including nine years as an Associate Professor, PhD. He now devotes all his time to writing and translating books into English. 60 b/w illustrations