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A breathtaking and cinematic novel about the lust for gold and its bloody consequences, set in the unforgiving landscape of the sub-Arctic Canadian wilderness, from the acclaimed author of The North Water.
A ragged fur peddler arrives at a remote outpost of the Hudson Bay Company in the winter of 1766 with a lump of gold, claiming that there is plenty more like it further north at a place called Ox Lake. The outpost’s chief factor, Magnus Norton, dreams of instant riches and launches a secret and perilous expedition to find the treasure and bring it back.
Led by a family of native guides, the party of prospectors includes Norton’s brutish deputy, John Shaw, and Thomas Hearn, the insular and intellectual first mate from the factory’s whaling sloop. During their long journey north, Shaw’s callousness and arrogance lead him to commit an act of sexual violence whose disastrous consequences will only fully emerge once they reach their final destination. There, amidst the bleak beauty of the Barren Grounds, as Norton’s carefully crafted plans begin to fall apart and the brutal arctic winter starts to descend, Hearn is forced to make a choice that will define his character and determine his future forever.
Utterly captivating, White River Crossing transports us back to the furthest edges of the eighteenth-century British empire where two radically different worlds—indigenous and European—collide with calamitous and deadly results.
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A breathtaking and cinematic novel about the lust for gold and its bloody consequences, set in the unforgiving landscape of the sub-Arctic Canadian wilderness, from the acclaimed author of The North Water.
A ragged fur peddler arrives at a remote outpost of the Hudson Bay Company in the winter of 1766 with a lump of gold, claiming that there is plenty more like it further north at a place called Ox Lake. The outpost’s chief factor, Magnus Norton, dreams of instant riches and launches a secret and perilous expedition to find the treasure and bring it back.
Led by a family of native guides, the party of prospectors includes Norton’s brutish deputy, John Shaw, and Thomas Hearn, the insular and intellectual first mate from the factory’s whaling sloop. During their long journey north, Shaw’s callousness and arrogance lead him to commit an act of sexual violence whose disastrous consequences will only fully emerge once they reach their final destination. There, amidst the bleak beauty of the Barren Grounds, as Norton’s carefully crafted plans begin to fall apart and the brutal arctic winter starts to descend, Hearn is forced to make a choice that will define his character and determine his future forever.
Utterly captivating, White River Crossing transports us back to the furthest edges of the eighteenth-century British empire where two radically different worlds—indigenous and European—collide with calamitous and deadly results.
Ian McGuire writes novels set in historical times, not historical novels about regicide, or being Joan of Arc’s best friend. They concern men (and it’s always men) struggling in harsh and challenging environments. This is the third novel I have read by McGuire and the most accomplished. The first was The Abstainer, a beautifully bloody book about a Civil War sniper brought into England to assassinate the mayor of Manchester, who had scheduled a public hanging of captured rebels from the local Fenian Society. This was followed by the hugely impressive The North Water, which follows a whaling ship, with one of the characters on the boat, Drax, one of the most appalling characters ever committed to the page. The book was also turned into a stunning miniseries on the BBC with Colin Farrell and, because it is a British series, Stephen Graham.
McGuire’s latest novel, White River Crossing, begins in Canada in 1766 and follows an expedition to find gold in the great white north, beyond where most of the traders and trappers had ever gone before. With echoes of disparate influences such as Jack London and The Treasure of the Sierra Madre, McGuire explores the way the lure of gold drives men mad and the awful decisions they make in its pursuit. McGuire weaves the story with brutal characterisation and careful delineation, bringing to life the three groups involved.
Balancing all of these characters along a tightrope between anachronism and modern-day sensibilities is a dazzling feat and it was an enormous pleasure to read this in one sitting.
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