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(Designing) Beyond the Modern is the second volume in a trilogy by Eduardo Staszowski and Virginia Tassinari, following Designing in Dark Times: An Arendtian Lexicon (2020).
This book is a provocation: how can we begin to move beyond the modern when so much of how we think and make remains entangled in its logic? Among the forces that have both shaped and been shaped by the modern project, design occupies a central role. Rather than treating it as a neutral tool, this book approaches design as a practice deeply implicated in modernity's extractive, colonial, and anthropocentric foundations. The parenthesis in the title signals an ambivalence about whether "designing" can remain a relevant or viable practice. Without offering a conclusion, the book confronts the legacy of the Modern and calls for a caesura: a rupture, a pause, or an interval where a critical praxis, whether called design or not, might begin to take shape.
Drawing on philosophy, decolonial thought, and design theory, it challenges the logics that continue to shape modern institutions and imaginaries. Through essays, fragments, and engagements with the work of Tomas Maldonado, along with a conversation with Arturo Escobar and a contribution from Ailton Krenak, this book traces tensions and potential shifts that emerge when thinking and acting beyond the Modern.
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(Designing) Beyond the Modern is the second volume in a trilogy by Eduardo Staszowski and Virginia Tassinari, following Designing in Dark Times: An Arendtian Lexicon (2020).
This book is a provocation: how can we begin to move beyond the modern when so much of how we think and make remains entangled in its logic? Among the forces that have both shaped and been shaped by the modern project, design occupies a central role. Rather than treating it as a neutral tool, this book approaches design as a practice deeply implicated in modernity's extractive, colonial, and anthropocentric foundations. The parenthesis in the title signals an ambivalence about whether "designing" can remain a relevant or viable practice. Without offering a conclusion, the book confronts the legacy of the Modern and calls for a caesura: a rupture, a pause, or an interval where a critical praxis, whether called design or not, might begin to take shape.
Drawing on philosophy, decolonial thought, and design theory, it challenges the logics that continue to shape modern institutions and imaginaries. Through essays, fragments, and engagements with the work of Tomas Maldonado, along with a conversation with Arturo Escobar and a contribution from Ailton Krenak, this book traces tensions and potential shifts that emerge when thinking and acting beyond the Modern.