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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
So far as it goes, Goddesses Three is an absorbing study of the Pontifex family, and (ultimately) of Anglo-Portuguese relations. E.W. Hornung apparently began writing this book in 1894 but put it aside after completing eleven chapters. Set primarily in an English Rectory, it is very much a work in progress, written partly in pencil and partly in ink, and incorporating a vast number of revisions. In addition to deciphering 99% of the manuscript, and producing an edited text for the general reader, the editor has examined it on a chapter-by-chapter basis. This results in a fuller notion of how the story was being shaped and the occasional problems encountered - and pinpoints Hornung's consequent changes and instructions to himself. We are, as it were, looking over his shoulder for the whole time, and gain (as a result) a fascinating insight into how a Victorian novel took shape.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
So far as it goes, Goddesses Three is an absorbing study of the Pontifex family, and (ultimately) of Anglo-Portuguese relations. E.W. Hornung apparently began writing this book in 1894 but put it aside after completing eleven chapters. Set primarily in an English Rectory, it is very much a work in progress, written partly in pencil and partly in ink, and incorporating a vast number of revisions. In addition to deciphering 99% of the manuscript, and producing an edited text for the general reader, the editor has examined it on a chapter-by-chapter basis. This results in a fuller notion of how the story was being shaped and the occasional problems encountered - and pinpoints Hornung's consequent changes and instructions to himself. We are, as it were, looking over his shoulder for the whole time, and gain (as a result) a fascinating insight into how a Victorian novel took shape.