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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Phylogenesis of beauty by Pietro Gaietto is a scientific treatise on the origins and general evolutionary outcome of beauty, from the beginning of the world to the present. Beauty has never before been the object of scientific study, nor has its evolution. Gaietto has integrated human products, including art, into the general evolution of beauty in nature, noting that man’s object follow the same rules of evolutionary transformation found in organic and inorganic physical forms. Gaietto’s hypothesis on the transformation of beauty concerns all the kingdoms of nature as they have appeared in chronological order from the earliest geological ages, and as discovered by geologists, paleontologists, and paletnologists. The book’s scientific analysis of beauty in human artifacts excludes questions of quality, even if they exist, as well as the idea of ugliness, because man intentionally produces only beautiful things.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Phylogenesis of beauty by Pietro Gaietto is a scientific treatise on the origins and general evolutionary outcome of beauty, from the beginning of the world to the present. Beauty has never before been the object of scientific study, nor has its evolution. Gaietto has integrated human products, including art, into the general evolution of beauty in nature, noting that man’s object follow the same rules of evolutionary transformation found in organic and inorganic physical forms. Gaietto’s hypothesis on the transformation of beauty concerns all the kingdoms of nature as they have appeared in chronological order from the earliest geological ages, and as discovered by geologists, paleontologists, and paletnologists. The book’s scientific analysis of beauty in human artifacts excludes questions of quality, even if they exist, as well as the idea of ugliness, because man intentionally produces only beautiful things.