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Into Oblivion, the follow-up to the gritty prequel Reykjavik Nights, gives devoted fans another glimpse of Erlendur in his early days as a young, budding detective.
It’s 1979. A woman swims in a remote, milky-blue lagoon. Steam rises from the water and as it clears, a body is revealed in the ghostly light. Miles away, a vast aircraft hangar rises behind the perimeter fence of the US military base. A sickening thud is heard as a man’s body falls from a high platform.
Many years before, a schoolgirl went missing. The world has forgotten her. But Erlendur has not. Erlendur is a newly promoted detective. He is only starting out, but he is already deeply involved in his work.
The writer whose work The New York Times describes as having the sweep and consequence of epic storytelling, has outdone himself in this multi-layered and masterful suspense story.
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Into Oblivion, the follow-up to the gritty prequel Reykjavik Nights, gives devoted fans another glimpse of Erlendur in his early days as a young, budding detective.
It’s 1979. A woman swims in a remote, milky-blue lagoon. Steam rises from the water and as it clears, a body is revealed in the ghostly light. Miles away, a vast aircraft hangar rises behind the perimeter fence of the US military base. A sickening thud is heard as a man’s body falls from a high platform.
Many years before, a schoolgirl went missing. The world has forgotten her. But Erlendur has not. Erlendur is a newly promoted detective. He is only starting out, but he is already deeply involved in his work.
The writer whose work The New York Times describes as having the sweep and consequence of epic storytelling, has outdone himself in this multi-layered and masterful suspense story.