The South Carolina Jockey Club (1857)

The journal is a peer-reviewed periodical featuring essays that examine objects in or aspects of the Getty’s extensive archival, rare book, and artistic holdings or that bear upon the annual research themes of the Research Institute. Shorter texts present new acquisitions or note discoveries in the collections. The journal is particularly interested in publishing the work of emerging authors and seeks to foster an environment of collaborative scholarship among art historians, museum curators, and conservators. This issue features essays by Bridget Alsdorf, Mari-Tere Alvarez, Sussan Babaie, Jane Bassett, Eckhart Gillen, Ara H. Merjian, Avinoam Shalem, Astrit Schmidt-Burkhardt, Isabelle Tillerot, and Wim de Wit; the short texts examine a scripta of Bartolomeo Sanvito, a sixteenth-century Florentine list of buildings to be demolished, a print by Donato Rascicotti, the diaries of James Ward, a family photo album of Morocco, Julius Shulman’s A to Z negatives, Robert Alexander and Instant Theatre, and Anselm Kiefer’s Die beruhmten Orden der Nacht.