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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Stones in the Graveyard is not just a poetry collection-it is a global reckoning carved in verse. South African poet Jaydin Donough, known as The Silent Writer, breaks silence with fire as he resurrects the voices of Gaza, Congo, Ukraine, apartheid South Africa, and other oppressed nations often erased from the mainstream narrative.
Blending raw truth with haunting imagery, Donough introduces Grave Verse, a poetic style forged in grief and resistance. Each poem bears witness to children lost, mothers mourning, survivors scarred, and lands forced to cradle the dead. From the brutal clarity of A Beheaded Child to the defiant epilogue The Last Stone, this is testimony, not fiction.
This is not ink on paper.
This is blood.
This is memory.
This is the sound of the silenced, finally speaking.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Stones in the Graveyard is not just a poetry collection-it is a global reckoning carved in verse. South African poet Jaydin Donough, known as The Silent Writer, breaks silence with fire as he resurrects the voices of Gaza, Congo, Ukraine, apartheid South Africa, and other oppressed nations often erased from the mainstream narrative.
Blending raw truth with haunting imagery, Donough introduces Grave Verse, a poetic style forged in grief and resistance. Each poem bears witness to children lost, mothers mourning, survivors scarred, and lands forced to cradle the dead. From the brutal clarity of A Beheaded Child to the defiant epilogue The Last Stone, this is testimony, not fiction.
This is not ink on paper.
This is blood.
This is memory.
This is the sound of the silenced, finally speaking.