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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Ruskin and the Religion of Beauty, translated from the Countess of Galloway, offers a profound exploration of the life and aesthetic philosophy of John Ruskin, one of the most influential art critics and social thinkers of the Victorian era. Robert de La Sizeranne delves into Ruskin's evolving views on art, nature, and society, revealing how his deep moral and religious convictions shaped his understanding of beauty.
This study examines Ruskin's central ideas, focusing on his belief in the intrinsic connection between art and morality. La Sizeranne elucidates how Ruskin saw art as a form of religious expression, capable of inspiring spiritual and social reform. The book traces Ruskin's intellectual journey, from his early writings on architecture and painting to his later works on political economy and social justice.
This insightful biography provides valuable context for understanding Ruskin's legacy and enduring impact on art criticism, social reform, and the broader cultural landscape of the 19th century.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Ruskin and the Religion of Beauty, translated from the Countess of Galloway, offers a profound exploration of the life and aesthetic philosophy of John Ruskin, one of the most influential art critics and social thinkers of the Victorian era. Robert de La Sizeranne delves into Ruskin's evolving views on art, nature, and society, revealing how his deep moral and religious convictions shaped his understanding of beauty.
This study examines Ruskin's central ideas, focusing on his belief in the intrinsic connection between art and morality. La Sizeranne elucidates how Ruskin saw art as a form of religious expression, capable of inspiring spiritual and social reform. The book traces Ruskin's intellectual journey, from his early writings on architecture and painting to his later works on political economy and social justice.
This insightful biography provides valuable context for understanding Ruskin's legacy and enduring impact on art criticism, social reform, and the broader cultural landscape of the 19th century.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.