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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
"Conversations of James Northcote with James Ward on Art and Artists" offers a fascinating glimpse into the artistic and intellectual milieu of the late 18th and early 19th centuries. This unique compilation captures the lively exchanges between two prominent figures of the British art scene: James Northcote, a renowned portrait and history painter, and James Ward, a celebrated animal painter and engraver. Their dialogues, rich with anecdotes, opinions, and insights, provide a valuable firsthand account of the artistic practices, theories, and personalities of their time.
Readers will discover Northcote's sharp wit and Ward's insightful observations on a range of topics, from the techniques of the Old Masters to the challenges of contemporary art. The book offers invaluable perspectives on the creative process, the role of the artist in society, and the enduring power of art to inspire and provoke. This edition makes available a rare and engaging resource for art historians, students, and anyone interested in the lives and ideas of these influential artists.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
"Conversations of James Northcote with James Ward on Art and Artists" offers a fascinating glimpse into the artistic and intellectual milieu of the late 18th and early 19th centuries. This unique compilation captures the lively exchanges between two prominent figures of the British art scene: James Northcote, a renowned portrait and history painter, and James Ward, a celebrated animal painter and engraver. Their dialogues, rich with anecdotes, opinions, and insights, provide a valuable firsthand account of the artistic practices, theories, and personalities of their time.
Readers will discover Northcote's sharp wit and Ward's insightful observations on a range of topics, from the techniques of the Old Masters to the challenges of contemporary art. The book offers invaluable perspectives on the creative process, the role of the artist in society, and the enduring power of art to inspire and provoke. This edition makes available a rare and engaging resource for art historians, students, and anyone interested in the lives and ideas of these influential artists.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.