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This volume, entitled "Psaumes A Trois Parties," is a collection of Psalms set to music, arranged to align with the clef positions and format of the four-part Psalms edition printed for use in charity schools. A historical artifact, this work offers insight into the musical practices and religious education of its time. The collection reflects the cultural and pedagogical approaches to sacred music within French Protestant communities, emphasizing accessibility and practical application for educational purposes. This edition provides a glimpse into the musical and educational landscape of a bygone era, appealing to scholars and enthusiasts interested in religious music, historical education, and the cultural heritage of Protestantism.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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This volume, entitled "Psaumes A Trois Parties," is a collection of Psalms set to music, arranged to align with the clef positions and format of the four-part Psalms edition printed for use in charity schools. A historical artifact, this work offers insight into the musical practices and religious education of its time. The collection reflects the cultural and pedagogical approaches to sacred music within French Protestant communities, emphasizing accessibility and practical application for educational purposes. This edition provides a glimpse into the musical and educational landscape of a bygone era, appealing to scholars and enthusiasts interested in religious music, historical education, and the cultural heritage of Protestantism.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.