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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This is a catalogue documenting an exhibition of cartoons by Max Beerbohm held in April and May of 1913. Known for his witty caricatures and satirical drawings, Beerbohm captured the essence of Edwardian society and its prominent figures. This catalogue offers a glimpse into the artistic style and social commentary that defined Beerbohm's work during this period. A valuable resource for art historians, cartoon enthusiasts, and anyone interested in early 20th-century social satire, this catalogue preserves a record of a significant exhibition and showcases the enduring appeal of Beerbohm's unique artistic vision. Explore the collection and discover the sharp wit and artistic skill that made Max Beerbohm a celebrated figure in the world of caricature.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This is a catalogue documenting an exhibition of cartoons by Max Beerbohm held in April and May of 1913. Known for his witty caricatures and satirical drawings, Beerbohm captured the essence of Edwardian society and its prominent figures. This catalogue offers a glimpse into the artistic style and social commentary that defined Beerbohm's work during this period. A valuable resource for art historians, cartoon enthusiasts, and anyone interested in early 20th-century social satire, this catalogue preserves a record of a significant exhibition and showcases the enduring appeal of Beerbohm's unique artistic vision. Explore the collection and discover the sharp wit and artistic skill that made Max Beerbohm a celebrated figure in the world of caricature.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.