This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This collection showcases the extravaganzas of James Robinson Planche (1796-1868), a prominent figure in 19th-century English theatre. Spanning the years 1825 to 1871, the compilation offers a comprehensive look at Planche's contributions to the development of the extravaganza, a popular form of dramatic entertainment characterized by its elaborate spectacle, playful wit, and incorporation of music and dance.
Edited by Stephen Tucker and Thomas Francis Dillon Croker, "The Extravaganzas of J. R. Planche, Esq." provides valuable insight into the theatrical landscape of the Victorian era. Planche, known for his adept use of mythology, fairy tales, and historical themes, crafted works that appealed to a broad audience, solidifying his reputation as a leading playwright and adapter of his time. This volume serves as a testament to Planche's enduring influence on British theater and offers a fascinating glimpse into the evolution of dramatic forms.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
