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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
"The White Hills in Poetry: An Anthology," compiled by Eugene Richard Musgrove, offers a rich collection of verses inspired by the majestic White Mountains of New Hampshire. This volume, originally published in 1880, captures the 19th-century fascination with the natural world and the sublime beauty of the American landscape. The anthology showcases a diverse array of poets, each contributing their unique perspective on the iconic peaks, valleys, and forests of the White Mountains.
Readers will discover poems that celebrate the grandeur of Mount Washington, the tranquility of the Saco River, and the allure of the region's pristine wilderness. This collection serves as both a historical record of the White Mountains' cultural significance and a testament to the enduring power of poetry to evoke the spirit of place. It is a valuable resource for scholars of American literature and anyone who appreciates the intersection of nature and art.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
"The White Hills in Poetry: An Anthology," compiled by Eugene Richard Musgrove, offers a rich collection of verses inspired by the majestic White Mountains of New Hampshire. This volume, originally published in 1880, captures the 19th-century fascination with the natural world and the sublime beauty of the American landscape. The anthology showcases a diverse array of poets, each contributing their unique perspective on the iconic peaks, valleys, and forests of the White Mountains.
Readers will discover poems that celebrate the grandeur of Mount Washington, the tranquility of the Saco River, and the allure of the region's pristine wilderness. This collection serves as both a historical record of the White Mountains' cultural significance and a testament to the enduring power of poetry to evoke the spirit of place. It is a valuable resource for scholars of American literature and anyone who appreciates the intersection of nature and art.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.