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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Gotthold Ephraim Lessing's "Laocoon: An essay upon the limits of painting and poetry, with remarks illustrative of various points in the history of ancient art" remains a cornerstone of aesthetics and art criticism. Lessing masterfully explores the boundaries between poetry and the visual arts, using the iconic Laocooen group sculpture as a central point of reference. This influential work delves into the distinctions between how different art forms represent beauty, expression, and narrative.
Examining the historical context of ancient art, Lessing's essay provides insightful analysis of artistic principles, particularly concerning the representation of emotion and the depiction of the Agesander sculpture, "Laocooen." His profound observations have shaped the fields of literary theory and art history, prompting enduring discussions about the nature of artistic representation. "Laocoon" is essential reading for anyone interested in the history of aesthetics, the relationship between different artistic mediums, and the foundations of art criticism. This meticulously prepared print edition ensures the enduring relevance of Lessing's timeless work.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Gotthold Ephraim Lessing's "Laocoon: An essay upon the limits of painting and poetry, with remarks illustrative of various points in the history of ancient art" remains a cornerstone of aesthetics and art criticism. Lessing masterfully explores the boundaries between poetry and the visual arts, using the iconic Laocooen group sculpture as a central point of reference. This influential work delves into the distinctions between how different art forms represent beauty, expression, and narrative.
Examining the historical context of ancient art, Lessing's essay provides insightful analysis of artistic principles, particularly concerning the representation of emotion and the depiction of the Agesander sculpture, "Laocooen." His profound observations have shaped the fields of literary theory and art history, prompting enduring discussions about the nature of artistic representation. "Laocoon" is essential reading for anyone interested in the history of aesthetics, the relationship between different artistic mediums, and the foundations of art criticism. This meticulously prepared print edition ensures the enduring relevance of Lessing's timeless work.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.