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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Jeremy Collier's "A Short View of the Immorality, and Profaneness of the English Stage, Together with the Sense of Antiquity on this Argument" remains a significant and controversial work of drama criticism. Originally published to challenge the perceived decline in morality within English theater, Collier's passionate and meticulously argued treatise sparked considerable debate and influence.
This historically important text offers a window into the religious and ethical concerns surrounding theatrical productions in England during the late 17th and early 18th centuries. Collier examines the profaneness and perceived immorality of the English stage, drawing upon historical and religious arguments to support his critique. Exploring the intersection of theater and religious ethics, "A Short View" delves into the morality of dramatic representation and its potential impact on audiences. It provides valuable insight into historical perspectives on drama, morality, and the role of the theater in shaping public opinion. This republication makes Collier's seminal work accessible to those interested in theater history, religious ethics, and the ongoing debate surrounding the relationship between art and morality.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Jeremy Collier's "A Short View of the Immorality, and Profaneness of the English Stage, Together with the Sense of Antiquity on this Argument" remains a significant and controversial work of drama criticism. Originally published to challenge the perceived decline in morality within English theater, Collier's passionate and meticulously argued treatise sparked considerable debate and influence.
This historically important text offers a window into the religious and ethical concerns surrounding theatrical productions in England during the late 17th and early 18th centuries. Collier examines the profaneness and perceived immorality of the English stage, drawing upon historical and religious arguments to support his critique. Exploring the intersection of theater and religious ethics, "A Short View" delves into the morality of dramatic representation and its potential impact on audiences. It provides valuable insight into historical perspectives on drama, morality, and the role of the theater in shaping public opinion. This republication makes Collier's seminal work accessible to those interested in theater history, religious ethics, and the ongoing debate surrounding the relationship between art and morality.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.