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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Discover the intricate artistry of ecclesiastical woodworking with Francis Bond's "Wood Carvings in English Churches: I. Stalls and Tabernacle Work. II. Bishop's Thrones and Chancel Chairs." This meticulously detailed study explores the rich history and craftsmanship of wood carvings found within English churches, focusing specifically on choir stalls, bishop's thrones, and chancel chairs.
A treasure trove for enthusiasts of religious architecture and art history, this book delves into the nuances of wood carving as it was applied to create stunning features of church interiors. From elaborate tabernacle work to the majestic presence of bishop's thrones, Bond's work examines the unique artistic and historical significance of these ecclesiastical elements.
Explore the artistry and historical context of these remarkable examples of sculpture and installation. Perfect for those interested in church history, wood carving techniques, or simply appreciating the enduring beauty of religious buildings, this book offers a fascinating glimpse into a timeless art form.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Discover the intricate artistry of ecclesiastical woodworking with Francis Bond's "Wood Carvings in English Churches: I. Stalls and Tabernacle Work. II. Bishop's Thrones and Chancel Chairs." This meticulously detailed study explores the rich history and craftsmanship of wood carvings found within English churches, focusing specifically on choir stalls, bishop's thrones, and chancel chairs.
A treasure trove for enthusiasts of religious architecture and art history, this book delves into the nuances of wood carving as it was applied to create stunning features of church interiors. From elaborate tabernacle work to the majestic presence of bishop's thrones, Bond's work examines the unique artistic and historical significance of these ecclesiastical elements.
Explore the artistry and historical context of these remarkable examples of sculpture and installation. Perfect for those interested in church history, wood carving techniques, or simply appreciating the enduring beauty of religious buildings, this book offers a fascinating glimpse into a timeless art form.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.